|aThe last isle :|bcontemporary film, culture and trauma in global Taiwan /|cSheng-mei Ma.
|aLondon ;|aNew York :|bRowman & Littlefield International,|cc2015.
|aLondon ;|aNew York :|bRowman & Littlefield International,|c
|aix, 197 pages ;|c23 cm.
|aPlace, memory, affect
|aIncludes bibliographical references and index.
|aIntroduction -- Trauma and Taiwan's melodrama: Seven orphans of Cape no. 7 -- Island's irony: virtual pilgrimage circum-Taiwan in Search of the high Cs -- Mazu's touch, Taiwan nezha, and crying -- Globalization's bottom: subtitle and switch in Wang Yu-Lin's Taiwanese dialect films -- Wet umbrella from Asian film to the White snake -- Hyde-and-seek in Asian diaspora: Deann Borshay Liem's Negative and Ang Lee's Ventriloquy -- Sold mountain: Chinese-language films on Shangri-la -- Nestle in Shalu -- Taiwan's English education: A fish with three heads -- The fate of accidental Taiwanese: 5 ways to leave your father -- Coda: China laying golden eggs.