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Philosophy of the film : epistemology, ontology, aesthetics /

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136622

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OCoLC

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19931209111855.0

008		861007s1987 nyua b 001 0 eng
010		\|a 86026226 //r88\|zcn 88006525
015		\|aC88-6525-7
019		\|a17841384\|a18381024
020		\|a0710210167
035		\|a00136691
040		\|aDLC\|cDLC\|dOCL\|dNLC\|dUKM
049		\|aPVYA[][][][65139]
050	0	\|aPN1995\|b.J36 1987
055	0	\|aPN1995\|bJ37 1987
092	0	\|a791.4301\|bJ298
094		\|a靜宜\|d791.4301\|eJ298\|cE65139/00135921\|tDDC\|fChen
095		\|pBOOK\|d791.4301\|eJ298
100	1	\|aJarvie, I. C.\|q(Ian Charles),\|d1937-
245	10	\|aPhilosophy of the film :\|bepistemology, ontology, aesthetics /\|cIan Jarvie.
260		\|aNew York :\|bRoutledge & Kegan Paul,\|c1987.
300		\|axv, 392 p. :\|bill. ;\|c23 cm.
500		\|aIncludes indexes.
504		\|aBibliography: p. 364-375.
650	0	\|aMotion pictures\|xPhilosophy.
650	6	\|aCinema\|xPhilosophie.

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Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.

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Philosophy of the film : epistemology, ontology, aesthetics /

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