|a英文題名:The Research on the Mythology of Xi Wang Mu in Ancient Times: Based on Literature and the Images of Wu Liang Shrine
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|a指導教授:魯瑞菁
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|a含參考書目
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|a碩士論文-靜宜大學中國文學系碩士在職專班
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|a公元一世紀前一位崇高神格的女性神祇──西王母，被創造出具體的形象，在漫漫冗長的歷史洪流中，其形貌、神性及職掌演變留下鑿鑿的印記，在史料中與學者學說刻意劃分出幾個明確的歷史階段，在功能上的相對立型態有明顯的表徵。神性上包含善與惡兩種基本性格，而西王母在《山海經》中較原始的形象則以負面女神的身分出現，隨後的《穆天子傳》、《漢武帝內傳》分別以女帝及女仙的形象出現，文人騷客更將西王母當成情愛敘事中的美麗女子，進而成為愛戀傾慕的對象吟詠千年，可說是一個千面女神，而最終定型的職能形象均篆刻在畫像石磚上，成為傳世的珍貴文化歷史載體。本文秉文史學者普遍採用學者王國維提出的「二重證據法」為主軸，探討遠古至兩漢時期的西王母信仰及形象淵源之來由，輔引兩漢傳世文獻與山東武梁祠畫像石圖像為其比較範圍，以西王母本身為始點，就漢代傳世文獻、武梁祠出土畫像石中有關西王母之文字篆述與形象資料進行分析研究，由此觀點切入將有關西王母形象及其流變、傳說爬搔梳櫛，並進行研究。|uThere was a lofty Goddess who is called Western Queen(xi wang mu) which was created a specific image in 1 B.C. The personality of God basically includes good and evil, however the original image of Western Queen in “Shanhai jing” was negative. Afterwards, the image of Western Queen was emperor and female cents respectively in “Mu Tianzi zhuan” and” Han Wudi neizhuan”. Moreover, the creators describe the Western Queen as a gorgeous woman in the love story and an object of limerence. The Goddess with a thousand faces was typecast on the portrait which was carved on the stone, becomimg a treasure in history and culture. This thesis is going to investigate the reason of the faith and the origin of Western Queen by dual attestation. Besides, the paper also compare the literature of the Han with the stone portrait on Wu Family Shrine in Shandong. To analysis the metirals with the literature of the Han and the stone brick of the Wu Family Shrine, narrating the changes and the legends of Western Queen by this point of view.
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|aThe Research on the Mythology of Xi Wang Mu in Ancient Times|eBased on Literature and the Images of Wu Liang Shrine
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