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20180306101352.0

008		180305s2003 caua 001 0 eng
020		\|a0520234502\|q(pbk. : alk. paper)
020		\|a9780520234505\|q(pak. : alk. paper)
040		\|aDLC\|beng\|cDLC\|dPVY
050	00	\|aML3918.P67\|bB36 2003
082	00	\|a306.484\|223
095		\|d306.484\|eB231\|pBOOK
100	1	\|aBaranovitch, Nimrod,\|d1965-
245	10	\|aChina's new voices :\|bpopular music, ethnicity, gender, and politics, 1978-1997 /\|cNimrod Baranovitch.
260		\|aBerkeley :\|bUniversity of California Press,\|cc2003.
300		\|axiv, 332 pages :\|billustrations ;\|c24 cm
336		\|atext\|btxt\|2rdacontent
337		\|aunmediated\|bn\|2rdamedia
338		\|avolume\|bnc\|2rdacarrier
504		\|aIncludes bibliographical references (pages 291-309) and index.
520		\|a"China's New Voices shows that during the 1980s and 1990s, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state. Nimrod Baranovitch analyzes this phenomenon by focusing on three important contexts: ethnicity, gender, and state politics. His study is a fascinating look at the relationship between popular music in China and broad cultural, social, and political changes that are taking place there."--Back cover.
650	0	\|aPopular music\|xSocial aspects\|zChina.
650	0	\|aPopular music\|xPolitical aspects\|zChina.
651	0	\|aChina\|xCivilization\|y1976-
910		\|a20180306